A quiet investigation into memory, the image, and the long work of looking again.

Parallax House began as a private archive — a folder of letters, a tin of photographs, a small library of films watched over and over until they became something closer to memory than to cinema.

It has since become a cultural publication: a slow, ongoing investigation of the way we hold time. We publish essays, photographs, films and original artistic projects on memory, identity, photography, philosophy and queer history.

We take after Sebald, Marker, Barthes, and the photographers who understood that an archive is not a record but a conversation — unfinished, returning, never quite settled.